Sergey Klychkov

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Sergey Klychkov’s paintings are both whimsical and profound, studious and spontaneous. Focusing mainly on portraiture, Klychkov is especially skilled at delineating the expressive details of the human face. While preferencing fine art over illustration, his paintings nevertheless suggest narratives. This comes most to light when his work portrays cartoonishly mismatched juxtapositions of phenomena in fantastical landscapes, implying roots in a highly-developed fictional history. In The Moons (2015), Klychkov’s use of oil paints lends his subject a folkloric aspect. Portraying a lunar fantasia, two female nudes are seated atop the roofs of houses, while two more fly in air. A fifth female figure rides on a purple horse through in the center of the scene. The warped spatial distortion of the figures’ limbs, as well as the houses, give the image a dionysian feel, while Klychkov’s color palette blankets this energy in an ashen-hued tranquility. While verging on the illustrative, the viewer can only imagine the backstory behind such a work. Taken in by the almost littoral calm of the painting, the viewer might feel caught up in the same insouciance with which the two women loll on a nightime roof.

Opere in evidenza
Le lune 3
Le lune 2
Le lune
Caffè Montmartre
La sirena nella tempesta di tuoni
Mazzo di giraffe
Anna

Sergey Klychkov

Le lune 3

Olio su tela
59,5 "x 39,5"

Sergey Klychkov’s paintings are both whimsical and profound, studious and spontaneous. Focusing mainly on portraiture, Klychkov is especially skilled at delineating the expressive details of the human face. While preferencing fine art over illustration, his paintings nevertheless suggest narratives. This comes most to light when his work portrays cartoonishly mismatched juxtapositions of phenomena in fantastical landscapes, implying roots in a highly-developed fictional history. In The Moons (2015), Klychkov’s use of oil paints lends his subject a folkloric aspect. Portraying a lunar fantasia, two female nudes are seated atop the roofs of houses, while two more fly in air. A fifth female figure rides on a purple horse through in the center of the scene. The warped spatial distortion of the figures’ limbs, as well as the houses, give the image a dionysian feel, while Klychkov’s color palette blankets this energy in an ashen-hued tranquility. While verging on the illustrative, the viewer can only imagine the backstory behind such a work. Taken in by the almost littoral calm of the painting, the viewer might feel caught up in the same insouciance with which the two women loll on a nightime roof.

Le lune 3

Olio su tela
59,5 "x 39,5"

Le lune 2

Olio su tela
59,5 "x 39,5"

Le lune

Olio su tela
59,5 "x 39,5"

Caffè Montmartre

Olio su tela
31,5" x 24"

La sirena nella tempesta di tuoni

Olio su tela
24" x 31,5"

Mazzo di giraffe

Olio su tela
31,5" x 28"

Anna

Olio su tela
39,5 "x 28"

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Guarda le mostre passate di Sergey Klychkov

L'infinito dei pensieri
50 "x 50" - Acrilico su tela
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