브라이언 피즈

문의

마드리드 태생의 예술가 피즈 도밍게스 creates paintings that blur the boundaries of abstraction and figuration. He is particularly interested in portraiture, depicting his subjects with great sensitivity and feeling. Dominguez is a master of sfumato: the classical technique of allowing tones to shade gradually into one another in the manner later adopted by the likes of Auguste Renoir. But, although Dominguez’ technique does reveal classical training and ease, he is not a Classicist or Neo-Impressionist. The artist developed a style that is all his own, developed as the result of rigorous artistic practice and in accordance with his unique gift. The artist works with minimal means, using paint, values and brush strokes sparingly, to great effect. Dominguez approaches his subject matter in a likewise minimal manner, often rendering certain aspects of faces, figures and scenes and leaving others blank. In paintings like Natalia this type of rendering suggests that the artist is painting from memory, or, perhaps, painting memory itself. The artist exhibits widely and is the recipient of several awards for artistic excellence.

주요 삽화
나탈리아
오렌지 나무 옆
가난한 소녀
나탈리아

브라이언 피즈

나탈리아

캔버스에 오일
59" x 39.5"

마드리드 태생의 예술가 피즈 도밍게스 creates paintings that blur the boundaries of abstraction and figuration. He is particularly interested in portraiture, depicting his subjects with great sensitivity and feeling. Dominguez is a master of sfumato: the classical technique of allowing tones to shade gradually into one another in the manner later adopted by the likes of Auguste Renoir. But, although Dominguez’ technique does reveal classical training and ease, he is not a Classicist or Neo-Impressionist. The artist developed a style that is all his own, developed as the result of rigorous artistic practice and in accordance with his unique gift. The artist works with minimal means, using paint, values and brush strokes sparingly, to great effect. Dominguez approaches his subject matter in a likewise minimal manner, often rendering certain aspects of faces, figures and scenes and leaving others blank. In paintings like Natalia this type of rendering suggests that the artist is painting from memory, or, perhaps, painting memory itself. The artist exhibits widely and is the recipient of several awards for artistic excellence.

나탈리아

캔버스에 오일
59" x 39.5"

오렌지 나무 옆

캔버스에 오일
39.5 인치 x 32 인치

가난한 소녀

캔버스에 오일
71" x 71"

나탈리아

캔버스에 오일
47.5" x 26.5"

문의

Brian Fiz의 지난 전시회 보기

무한한 생각
50 "x 50"-캔버스에 아크릴
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